The frontman shared an announcement to Twitter following the controversy surrounding Ariana Grande's headlining slot.
Since asserting Ariana Grande as their fundamental headliner earlier this week, Manchester Pride has been going through controversy for each reserving a straight artist as their headliner and for subsequently elevating ticket costs.
Fellow headliner Olly Alexander of Years & Years posted an announcement early Thursday morning (Feb. 28), speaking about his expertise with working at Pride festivals and the issues festivals like Manchester are going through right this moment. “I feel most LGBT+ individuals will perceive how problematic Pride may be,” he wrote.
The “If You’re Over Me” singer commented on the truth that Pride in and of itself has misplaced a lot of its deeper that means. “Every 12 months we get a few days (or.. a month?) and we’re meant to be grateful Starbucks have rainbow cups,” he added. “I’m glad to see ppl demand change, the absence of individuals of shade in these areas is shamefully apparent.”
Alexander additionally stated that whereas he agrees that Pride occasions have a duty to usher in LGBTQ artists, he understands the rationale behind their present practices. “I’d like to see extra LGBT+ headliners throughout all payments, [but] the truth is line ups are a mixture of artists relying on their availability and the necessity to promote tickets,” he wrote. “Pride’s [sic] usually increase cash to allow them to placed on their occasions and donate to numerous (normally native) causes.”
Speaking about Grande’s headlining place, the singer stated he felt she earned her carry out slot on the occasion. “Ariana has proven greater than most that she cares about us and loves Manchester,” he stated. “Does that imply that we shouldn’t attempt more durable to rejoice all of the wonderful queer expertise? No!”
Alexander’s assertion got here hours after Grande posted her personal ideas on the matter, the place the pop star stated she nonetheless wished to carry out whereas understanding the criticism she was going through. “I do suppose there’s room for us to speak about these points with out equating a efficiency *for* an LGBTQ viewers with exploitation of the LGBTQ neighborhood,” she wrote.
Finally, Alexander highlighted that the duty to uplift LGBTQ artists begins with audiences, saying queer artists wouldn't be booked if nobody would take heed to them. “Can’t stress this sufficient — if extra individuals listened to and supported LGBT+ artists — they’d get extra slots.”