Rolling Loud's Founders on How to Launch a Live Hip-Hop Empire


Matt Zingler and Tariq Cherif could deal in hip-hop, however, together with the headliners they put onstage, they’re the competition world’s latest rock stars.

The founders of the Miami-based Rolling Loud have quickly expanded their empire since launching in 2015, after years of laying the groundwork selling exhibits in Florida’s underground rap scene. Zingler, 30, is a lifelong festivalgoer with an excessive tattoo behavior; Cherif, 29, is a hip-hop knowledgeable who can quote again problems with XXL. The duo was within the enterprise on the proper time, laser-focused on hip-hop earlier than the style exploded on streaming companies, serving to draw a millennial crowd to Miami in 12 months one and prompting an enlargement to the West Coast in 2017. “You’ve acquired hip-hop guys performing with full bands. They gown like rock stars from the ’80s and ’90s, like metallic bands,” says Cherif, who will communicate on a panel of hip-hop’s subsequent era of competition promoters at Billboard’s Live Music Summit in Los Angeles on Nov. 13. “You can’t even categorize hip-hop in a selected lane anymore.” They’ll launch abroad in 2019. Here’s how they made Rolling Loud right into a vacation spot for rap followers and artists alike.


Zingler and Cherif met in fourth grade and remained tight as youngsters whereas attending completely different faculties. Cherif’s ardour for rap music, Zingler’s love of festivals and their mutual ambition to create one thing groundbreaking within the hip-hop area -- together with the shorthand fostered by 20 years of friendship -- made them very best enterprise companions.

“If there’s a negotiation about cash, 9 instances out of 10, I’m like, ‘Matt, deal with this,’” says Cherif. “If it’s a relationship or music factor, it’s like, ‘Tariq, deal with it.’ We know one another’s strengths and weaknesses and belief one another to keep up the mission.” Their longtime connection has additionally erased any trace of ego. At the primary Rolling Loud, remembers Zingler, “I keep in mind selecting up trash as a result of we had been going to need to pay a cleansing price if it wasn't left the appropriate approach. Tariq and I undoubtedly do loads of work individuals may suppose is beneath us, however it’s as a result of we care. We’re not above something.”


In 2010, Cherif and Zingler began producing exhibits of their native South Florida, doing one-off nights and reserving about-to-blow artists like Kendrick Lamar for three-city runs across the state. By summer season 2013, their month-to-month occasions in Miami had been internet hosting up-and-comers like Travis Scott and Denzel Curry. Many of those early exhibits misplaced cash, however the duo acknowledged the significance of consistency, constructing a fan base and -- maybe most crucially -- accumulating information from attendees that helped them goal the appropriate followers with advertisements, get a way for what number of tickets sure artists might transfer and, in time, precisely estimate the primary Rolling Loud’s ticket gross sales.

Meanwhile, the 2013 demise of Rock the Bells -- the rap competition launched in Southern California in 2004 that expanded all through the United States and into Europe to develop into the style’s largest reside draw -- left the worldwide circuit with out a large-scale occasion devoted solely to hip-hop, proper as a brand new era of younger artists like Drake, J. Cole and Lamar was pushing the style to new ranges of mainstream ubiquity. When Rolling Loud launched in 2015, the market was primed for a hip-hop extravaganza, and Cherif and Zingler had been able to throw it.

“It was 5 years of making the constructing blocks to fill that [market] void,” says Cherif. “And then impulsively, it went from a void to a fan base.”


Before launching Rolling Loud, Cherif and Zingler had been commonly promoting out 1,500- to 2,000-capacity rooms however didn’t have entry to the larger venues their acts needed as their profiles rose. Without this entry, the blokes misplaced artists that they had developed to mega promoters like AEG and Live Nation.

“We had been about to lose Schoolboy Q similar to we had misplaced numerous different artists,” says Zingler. “That was the wake-up name: ‘We have to adapt, or we received’t have a enterprise.’”

The guys realized a competition would enable them to capitalize on years of artist growth whereas persevering with to work with acts as they hit the large time. They booked Miami’s Soho Studios as a venue and stuffed the lineup with frequent collaborators like Curren$y and Scott. Rolling Loud launched as a single-day competition in February 2015, with Schoolboy Q headlining. Ticket costs began at $50, and 6,500 individuals confirmed up.

Rolling Loud’s inception coincided with the rise of Florida’s fertile SoundCloud rap scene, with artists together with Lil Pump, Ski Mask the Slump God, Smokepurpp and the late XXXTentacion -- a built-in crop of homegrown artists for Cherif and Zingler to develop. Cherif says these acts, together with Lil Uzi Vert, Playboi Carti, Lil Yachty, Robb Banks, Kodak Black and Curry “actually exemplify the core Rolling Loud champion artists that we acquired early and who grew with us and have become mainstream.”

“They had been creating efficiency alternatives for your entire Florida rap scene at a time when nobody was actually checkin’ for these guys,” says Julieanna Goddard, aka YesJulz, the Florida-born media entrepreneur who hosted Rolling Loud in 2016 and 2017. “Matt and Tariq know easy methods to curate and promote a present and, most significantly, can determine key expertise early on. Because of this, they've the help of the underground scene and the youth. That’s a powerful viewers and a tough one to understand.”


Even early on, Cherif and Zingler seen Live Nation and AEG as their major opponents. “Our long-term purpose wasn’t simply doing these exhibits in Florida,” says Cherif, “so I by no means thought of any native promoter a competitor as a result of I knew they didn’t have the long-term imaginative and prescient we had.”

In simply 4 years, they've made good on that imaginative and prescient. Rolling Loud hosted 180,000 followers over three days in May at Hard Rock Stadium in Miami Gardens, with common admission tickets going for $299. (Zingler and Cherif decline to touch upon their income.) In late 2017, Rolling Loud made its West Coast debut with a pair of occasions within the Bay Area and SoCal, main competition markets with historic connections to hip-hop.

Cherif and Zingler have regarded to Electric Daisy Carnival, the EDM competition produced by Live Nation property Insomniac, as a mannequin when it comes to fan expertise and say that “at present, Insomniac is our native companion for exhibits in California,” although they personal 100 p.c of the Rolling Loud model. EDC has additionally expanded nicely past its flagship Las Vegas occasion to different venues within the United States, Mexico, the United Kingdom, Asia and past, and Rolling Loud plans to capitalize on hip-hop’s worldwide explosion in the identical approach EDC has ridden the EDM growth. Rolling Loud will go abroad in 2019, with exhibits introduced in China, Japan and the United Kingdom.

“Not everybody likes to journey internationally, however there’s a consolation with the Rolling Loud model,” says Erin Larsen, an agent at Paradigm who has booked artists together with Lil Uzi Vert and Playboi Carti at each Rolling Loud since 2015. “Tariq and Matt have performed a terrific job with how they’ve branded the competition and the way they deal with artists’ groups, so I believe artists will go” and help them in international markets.


The guys rattle off mega-corporations -- “Starbucks! McDonald’s! Coca-Cola!” -- when describing their plans to develop Rolling Loud into a way of life model during which the competition lives alongside a report label, media firm, clothes line and liquor model. “If these guys do it proper, they'll develop into [one of] essentially the most highly effective gamers in music-centric content material,” says Goddard. “Rolling Loud could be our model of MTV.”

Cherif and Zingler say they'd entertain a proposal for the corporate -- if they might proceed to steer it. “Every enterprise is technically at all times constructed to promote,” says Zingler. But “we wouldn’t simply enable anyone to come back in and take management of the model. It’s in regards to the tradition and our followers, so we've got to place our monetary features apart and do what’s proper.” Cherif says it’s “nearly a noble accountability, which brings loads of anxiousness. At the top of the day, although, it feels nice to inform my son I began one thing from nothing.”

This article initially appeared within the Nov. 10 difficulty of Billboard.