All around me, I could hear voices shouting every word Kanye’s verse on “THat Part.” They mimicked the excited inflection and the way he would stretch the last word a line; every “OJ,” “Kobe,” “Ok” and “Chipotle” echoed through the entire venue. The first time hearing the verse, under headphones on my computer, there was an immediate feeling that can only be described as underwhelming. Ye has delivered great guest verses in his career and “THat Part” didn’t feel as if it would be mentioned with “Get By,” “Grammy Family” or “Put On,” but in the club that evening I saw how infectious his verse is. What he rapped wasn’t anything astounding, it was how he rapped it, a delivery catchy enough to replay in your mind long after the song ended.
One Kanye’s greatest strengths is knowing the importance delivery. Imagine having a plate food that tastes amazing but the presentation is horrendous—that’s equivalent to having the best bars but delivering them in a terrible way. Ye knows both what to say and how to say it to ensure listeners are impacted.
Hearing “THat Part” reminds me when Young Guru appeared on Juan Epstein’s podcast a few months ago, an interview that is two hours full gems from the legendary engineer. Guru has truly seen it all during his long career and all the stories and wisdom throughout the years is what makes it a must listen. At one point he talks about his relationship with JAY-Z as it pertains to critiquing records. He loves the lyrical, intricate Jay, but lyrically being Talib Kweli doesn’t equate to selling albums. Jay wanted to sell albums:
“Tricks.” Guru is the first person in the music industry that I can remember to use the phrase. He further explains how in the studio they talk about implementing more tricks into songs. Tricks aren’t for the hip-hop heads and rap nerds but to add another layer commercial appeal to a song that goes beyond a catchy chorus. Knowing that Jay’s hilarious Carl Thomas impression on “I Just Wanna Love U” was an intended trick and knowing how well the record did commercially, shows the amount forethought. You can walk through Jay’s catalog and hear the tricks—from his police ficer impersonation on “99 Problems” to rapping about planking on a million in his “Gotta Have It” verse, the more you listen the more tricks reveal themselves.
Guru also praised Kanye for being a master tricks, his ability to layer songs with moments. Kanye is a character by nature, his personality is perfect for entertainment—think about the “We want prenup!” in the middle “Golddigger” or in “Slow Jamz” how Kanye uses the dark skin/light skin friend Michael Jackson lyric that’s essentially more famous than the hook. He knows just where to put the tricks, it’s one his most endearing qualities as a rapper, a gift that not everyone possesses.
Drake is another rapper that specializes in making songs layered with tricks. I like to think Drake as a rapping Facebook status update. You can go through his verses, remove entire lines and they are short enough to be a tweet and long enough to be a cryptic Instagram caption. He’s a maker phrases, kind like a jingle writer but instead a short commercial, he creates full-length songs. I’m not a fan “Pop Style” but all summer on social media I’ve seen: “Dropped out school now we dumb rich,” and “Turned my birthday into a lifestyle.”
“4 PM In Calabasas” is an excellent example tricks, even though the record is considered a subliminal shot at Puff, for a song that lacks a hook it could easily be played on the radio and in clubs. That’s why “Back 2 Back” worked so well, it wasn’t just a rap diss but a single riddled with catchiness. A world tour with your girlfriend should be every man’s dream but Drake turned it into a negative, a hilarious critique that the entire world recited. There’s a method to the madness.
When Trinidad Jame$ rapped, “Popped a Molly I’m sweatin, WOO!,” that was a trick. We are seeing how popular “Get Top on the phone” has become, another trick. It can be a flow—Migos, Ma$e, Bone Thugs, a style can easily become a trick if popularized. Even though the term hasn’t been really pushed and coined, a lot successful musicians have tricks in their songs. I can’t say everyone is conscious it the way Guru and Jay are, but there’s definitely thought put into how to make songs more appealing.
Guru believes this is a problem that rappers have in New York; that their making rap music that doesn’t contain enough tricks. It’s knowing how to rap well but not knowing what could make this rap song more digestible to listeners. Being able to satisfy the craving to be lyrical and also be catchy and fun. Beyond New York rappers, I think everyone struggles to balance the two.
Unfortunately, Guru doesn’t go in-depth about tricks in the podcast. It’s quickly mentioned and left in the foreground as the conversation touches on a thousand different subjects. When you have someone with his knowledge and history it’s difficult to stay fixated on one idea without entering into a tangent that leads into another tangent. But just based on the little information he gave there’s enough to see how artists have utilized the technique. It’s nothing new but it’s also fascinating knowing how the minds these artists work. How delivery, flow, and phrases can have a lasting effect on how a song will be received.
Desiigner’s “Panda” might be the best trick 2016—a song that bites a well-known sound and is built around a hook, a bridge, and one long verse making it minimum, catchy, and familiar. It's also the very same reason his XXL freestyle was a huge hit. There’s a method to these songs, a reason why we can’t help but gravitate toward them, the artists that have mastered tricks can very well rule the mainstream.
We're all being tricked by our favorite rappers, and we love it.
By Yoh, aka Atlanta's Very Own, aka @Yoh31