Fourculture Classics #eight – Parallel Lines


1978 – seemingly a 12 months of limitless creativity and chance with so many cool bands releasing albums.  If we think about there have been nonetheless music snobs again then who have been tribal and protecting over their very own private favourites, then it's probably that regardless of these attitudes, most would have agreed that Blondie have been ‘alright’.

The single “Denis”, launched earlier within the 12 months (from the Plastic Letters album) reached quantity 2 within the UK chart and was a type of Top of the Pops appearances that basically would have made an affect on the time.  Women tended solely to be on the present as a part of the dance troupe Pan’s People however right here was a feminine as a gang chief of a male band who appealed to each sexes.  Gosh!

Fourculture Classics #8 – Parallel LinesOf course, I witnessed none of this taking place on the time however it was the female-led gang on the duvet of Parallel Lines that caught my consideration as a younger boy about seven years later.  The contrasting black and white, the smiling males, the strict wanting lady.  This stood out amongst my mother or father’s vinyl assortment which was a sea of uncool Americana, overblown guitar twiddleshit and Cliff Richard.

I wouldn’t have observed the unusual sartorial combo of fits with baseball sneakers on the time however I did discover Debbie Harry’s perspective.  She was no smiley youngsters’s TV presenter.  Her growl was current from the primary music.  There was no sweetness in a girl who would get your telephone and ‘ring it off the wall’.  I might by no means dare to go away her hanging on the phone and I used to be positive that males twenty years older than me would ‘cling up and run to’ her simply because she advised them to.

It’s price mentioning that “Hanging on the Telephone” was a Top 5 hit (UK) because it’s typically forgotten when you think about the album additionally spawned two quantity ones.  It’s an ideal opener.

“One Way or Another” got here subsequent and was one other attitude-laden stomp.  It’s onerous to hearken to it severely now while you recollect it was additionally carried out on The Muppet Show.  Analysing the lyrics as a boy I discovered the deserves of phrases like ‘gonna’ within the pop vernacular.  Blondie took it additional right here with snappy ‘getcha’ and ‘meetcha’ merges.  I nonetheless love how the music and vocal appear to grow to be one within the bridges – ‘I’ll see who’s arouuuund’ and ‘who’s hanging ooooouuuut’ mix in with the music, the ultimate syllable and synth sound growl collectively as one.  At the important thing change her voice turns into raspier, onerous to think about a vocalist doing this at this time within the digital autotune age.

“Picture This” sounds prefer it may have been from a sure late 70s movie musical.  The opening line, (‘All I need is a room with a view’) sounds wistfully cinematic…you possibly can see her staring exterior with frustration.  But being Debbie Harry this isn’t some pathetic needy show.  She is aware of what she needs and she or he has some high-quality couplets to let you know about it and you might have had it if it weren’t on your job on the storage.  Again, it’s price mentioning that Debbie Harry is not any actual singer however the imperfection in her voice provides to the realism and feelings of the songs.

“Fade Away and Radiate” shouldn't be a music typically remembered and the least pop to date.  The dramatic opening could make you bounce and the music goes by prog-like transitions, a Brian May model guitar solo, after which a cod-reggae wig out for the final 30 seconds.  Impressive.

The sonic diversion doesn’t final for lengthy although as “Pretty Baby” is pure pop.  It begins off like a sped up‘ “Rip Her to Shreds” earlier than slowing all the way down to an intro.  On this music the refrain is definitely the verse which suggests there may be nowhere to go however up. The cool spoken phrase intermission remembers the likes of The Shangri-Las, a tactic they first adopted on the intro to “X Offender” on their debut album.  It has such a strong finale, her vocal vary examined to the restrict earlier than paving the way in which for facet nearer “I do know however I don’t know” which is a repetitive enjoyable groove and nearly stays on the precise facet of throwaway.

I all the time suppose “11:59” is a good music however it appeared extra highly effective years in the past.  It actually has the urgency you’d count on for a music about watching the clock and hoping to remain alive.  Like “Union City Blue” being one of many higher songs on Eat To The Beat regardless of being surrounded by higher singles, 11:59 has the identical points on Parallel Lines.  Ask somebody to call 10 Blondie songs they usually most likely wouldn’t decide this one however it should be up there with their greatest.  Another music recalling the girlgroup, Motown period with out actually sounding like a pastiche.  I’d just like the organ and drum outro to go on for a lot longer.

“Will Anything Happen?” continues with the urgency, a stop-start stomper.  Her double tracked vocal is extra distinguished right here and also you surprise if she may have milked this sound extra.

This music and the ultimate two songs undergo a little bit on facet B as a result of pop behemoths at its centrepiece…

“Sunday Girl” and “Heart of Glass”, effectively what can I say about these?  “Sunday Girl” could sound twee and doubtless overplayed however it’s an unimaginable melody.  The album model fortunately doesn’t have the French verses tacked on like a number of the inclusions on later compilations did.

“Heart of Glass” sees them delve into new territory, the disco components take them to the dancefloor, the pulsing synth and understated funky guitar.  The double-tracked concord within the refrain is lush.  Not a second is wasted on this music, solo breaks don’t overstay their welcome.  Unlike “Sunday Girl” this isn’t the radio edit, coming in at just below 6 minutes however it looks as if a type of 12” variations of a single reasonably than an overblown album observe.

Parallel Lines shouldn't be an ideal album.  Yet, like many classics, the imperfections and flaws add to the attraction.  It is of its time however simple to hearken to and admire 40 years on.