Every Feature on Lil Wayne's 'Tha Carter V' Ranked: Critic's Picks


After a seven-year hiatus from his iconic sequence, Lil Wayne has lastly ended Tha Carter drought. On Friday (Sept. 28), the New Orleans rapper dropped the explosive 23-track reply to followers’ impatience within the type of Tha Carter V, absolutely quelling any nerves about its existence and its impending drop date — a consequence of his notorious authorized battle with Cash Money Records, a disagreement that locked the album up for greater than 4 years.

At this level, Wayne may drop something and it might be a information merchandise, however to most, the massive reveal had extra to do with whether or not the self-proclaimed “biggest rapper alive” may nonetheless be a candidate for greatest rapper in 2018. What we discover right here is among the most well-skilled rappers tactfully proving that his move is as sturdy as ever, and with a myriad of options, C5 proves Wayne continues to be adept at piecing collectively a fruitful album.

From 2000s R&B queen Ashanti to fashionable legends Kendrick Lamar and Travis Scott, we’ve ranked all of the options on Lil Wayne’s Tha Carter V.

9. “Dark Side of the Moon” feat. Nicki Minaj

Nicki Minaj has change into fairly a divisive determine all on her personal, as she takes on any and all topics (and perceived enemies) on her Queen Beats 1 Radio present. On “Dark Side of the Moon,” Nicki makes one other probably questionable choice, as she absolutely opts out of dropping any bars and as an alternative, provides up a totally sung verse. As for her precise pipes, there’s positively some vary that I’m unsure we heard absolutely displayed on a few of her one-off pop songs, but it surely’s nonetheless inferior to some old-school Nicki bars.

The tune’s most redeeming high quality is perhaps the nostalgia it conjures up, because it’s all the time comforting to listen to these two vets on the identical monitor. But it might’ve been higher to listen to them each at their full MC capability.

eight. “Don’t Cry” feat. XXXTentacion

When XXXTentacion was shot and killed three months in the past, the ethics and intersection of artwork and private life grew to become a mainstay within the dialog, as rap followers reckoned with the home violence expenses in opposition to him. Now, as iconic rappers like Kanye West and Lil Wayne proceed to deliver the late Florida rapper into new music, it looks as if the continuing debate might not ever be over.

“Don’t Cry” is the primary time we hear a verse from Wayne on the album — after an emotional spoken-word intro from his mom — so it appears noteworthy that it’s XXXTentacion whom he’s chosen to deliver together with him. As for the tune itself, we don’t hear a lot from XXX, apart from his melodic addition the tune’s refrain, which has the rapper cryptically crooning “don’t cry” in what has now change into a punk-pop-influenced staple on a handful of rap tracks in 2018.

As for its place within the iconic Carter sequence, the hook provides a contemporary contact however doesn’t amplify the sound or add something spectacular. The rapper’s controversial inclusion doesn’t appear to be well worth the followers who is perhaps misplaced, or remoted, by Wayne’s newest co-sign.

7. “What About Me” feat. Sosamann

“What About Me” fills the "unhappy love tune" slot on the roster, and its pretty simple sound is solidified with a verse from Taylor Gang’s Sosamann. The rapper joins Wayne to croon a couple of misplaced romantic connection over a easy R&B-infused beat, all in his signature sluggish, practically slurred move. Wayne laments, “I can’t stand you with one other man,” solely to have Sosamann comply with up with the additive “I simply wish to see you smile.” It’s a candy tune, but it surely’s removed from a standout.

6. “Dope New Gospel” feat. Nivea

A serious motif on Tha Carter V is household and rebirth, and there appears to be nothing that encapsulates these two matters greater than that includes Wayne’s ex-wife and mom to 4 of his children Nivea. The beat is far more up-to-date than most, but it surely doesn’t essentially separate itself from something followers have heard earlier than — and never simply from Wayne, however from any rapper.

The disappointment in its extraordinarily customary sound is that NIvea’s voice is as lovely as ever, however it might’ve been higher to listen to her on a monitor a lot increased up on the album, or a monitor with Wayne doing a little bit bit extra. Regardless, as with a few of his different decisions for options, this one appears to be about one thing larger than simply the music.

5. “Famous” feat. Reginae Carter

To proceed the theme of household, Reginae Carter’s refrain on “Famous” is a straightforward and enchanting hook, proving that Wayne’s 19-year-old daughter wasn’t given this function simply as a household favor, however quite as a well-deserved showcase of abilities that appear to run within the Carter clan. The tune may have shortly developed right into a father-daughter duet, or digress into dad rap, however as an alternative, Wayne confirmed Reginae a larger degree of respect, by merely treating the collaboration as he would another monitor.

four. “Let It Fly” feat. Travis Scott

At first, “Let It Fly” seems to be a throwaway Travis tune, but what is perhaps thought-about a B-side for Scott continues to be fairly notable. The rapper goes uninterrupted for 2 verses with no Wayne, permitting Travis to dazzle together with his frenetic tempo. It’s not till across the two-minute mark of the tune that Wayne drops in and hits laborious with an unbelievable breathless verse, harking back to a few of his greatest fast-spitting bars from the early 2000s, however with an up to date, nearly Valee-sounding vibe to all of it. Wayne’s mastery and fashionable adaptation makes it clear that Travis’ verses have been actually simply a gap set for what he had coming — he reminds followers as all the time with “a greatest rapper alive” tag earlier than exiting.

three. “Start This Shit Off Right” feat. Ashanti & Mack Maine

There is nothing higher than an Ashanti hook on a rap tune. And there may be actually nothing higher than an Ashanti hook on a 2000s-caliber rap tune. While Tha Carter V is clearly a 2018 launch, it additionally appears to be an ode to Wayne’s time as a chart-topping bandit, who wreaked havoc each time he dropped a report. And nothing is extra harking back to these years than Ashanti’s angelic vocals paired together with his gruff growls. Ashanti doesn’t have a lot so far as lyrics on this one, but it surely appears to be a dedication to the sheer energy that even only a snippet of her voice can have. Plus, the tune is intro’d by Cash Money Records president Mack Maine, which appears to be one other instance of Wayne merging two eras collectively.

2. “Dope N—az” feat. Snoop Dogg

Tucked on the backend of the challenge, this Ro & Camo-produced monitor quietly holds probably the greatest and most well-developed general sounds on the album, and it yields an ideal entrance for Snoop. When Snoop first is available in, it’s a refreshing interruption to Weezy’s raspy reverberations, as he raps in his signature easy swagger. It’s not solely the octave that gives one thing new, however nowhere else on the album is there a move as managed and as relaxed as what he delivers on the final 30 seconds of this monitor.

1. “Mona Lisa” feat. Kendrick Lamar

There won’t be a greater mixture in hip-hop than the overlapping sounds of two of essentially the most iconic voices in rap adopted by Wayne’s trademark lighter-flick sound impact. On “Mona Lisa,” two completely different eras' "greatest rappers alive" morph and collide into each other, borrowing from one another’s types, whereas independently delivering a number of the greatest verses on this album.

Wayne opens the monitor with three verses all on his personal, and whereas it’s all Weezy, he’s seemingly mimicking the up-and-down move that we all know greatest from Kendrick, however executing it effortlessly and powerfully — a testomony to his iconic means to take one thing that’s sizzling and make it even hotter.

As Wayne wraps, the beat cuts for a second, with the silence solely coming to an finish with a signature “ah” advert lib from Kendrick. What follows is Kendrick going deep right into a verse, morphing into a tragic and determined character, full with a crackly high-pitched voice. While the monitor’s beat isn’t as much as the caliber of the folks spitting on it, the sheer expertise and pairing of those two on a monitor nonetheless makes it the most effective function.