Ariana Grande’s Huge Chart Week: HipHopMagz Staffers Discuss Five Burning Questions


Any Tuesday the place you may be talked about in a sentence that additionally consists of the phrase "first since The Beatles," chances are high you're off to a fairly good week.

That's the corporate Ariana Grande discovered herself in with this week's Billboard Hot 100, during which her "7 Rings," "Break Up With Your Girlfriend, I'm Bored" and "Thank U, Next" notched slots Nos. 1, 2 and three on the chart, respectively — making her the primary artist for the reason that Fab Four in '64 to carry the highest three concurrently. And that's simply the tip of the iceberg for Grande's record-setting week, which additionally noticed her safe the largest week of 2019 (and a private profession greatest) with the 360,000 in complete items moved by fifth album Thank U, Next, which additionally debuts all 12 of its tracks on the Hot 100. 

With such stats representing one more leveling-up for an artist who looks like she shouldn’t have any ceilings left to interrupt by means of by now, we at Billboard determined to dive in somewhat deeper on among the largest questions surrounding her historic week — to attempt to put it in correct context, and possibly to anticipate what occurs (for each Ariana and all of pop music) subsequent. Here are 5 staffers' ideas. 

Question 1: What's the largest issue behind Ariana's big first-week numbers?

Nolan Feeney: Grande bought right here as a result of, proper now, she’s the pop star who operates most like a rapper. With Thank U, Next, she holds the document for the largest streaming week for a pop album, and of the 20 largest streaming weeks ever for an album, she’s the one non-hip-hop title. In different phrases, she’s a pop anomaly in a hip-hop economic system — however proper now, I don’t suppose you get to that time if you happen to’re not a minimum of considerably fluent in hip-hop anyway. There’s a robust entice affect throughout Thank U, Next. Her regular stream of music is impressed by the free-flowing launch mannequin that rappers take pleasure in. Even the best way her each lyric appears to launch a thousand memes and Instagram captions — You like my hair? Gee, thanks, simply purchased it! — appears extra in keeping with the spirit of hip-hop wordplay than pop stardom. Sure, it doesn’t all the time go easily when she dips her toe into that world — see: the controversies round “7 Rings” — nevertheless it may be, properly, a lot worse. (Lady Gaga’s “Jewels N’ Drugs” has not aged properly.) 

Bianca Gracie: She’s all the time been a darling at radio, however the rise of streaming actually exhibits that — within the smart phrases of Nicki Minaj — younger Ariana actually does run pop. The style’s pool appears fairly vacant in the intervening time, and dropping this album in such a well timed trend positively labored in her favor. Also, rap’s takeover of the Hot 100 has slowed down a only a bit, so with songs like Post Malone and Swae Lee’s “Sunflower” and Travis Scott’s “Sicko Mode” taking a again seat in decrease slots, the timing was good for the tunes on Thank U, Next to creep into the chart's high tier. And we will’t neglect her first Grammy win (Sweetener took dwelling greatest pop vocal album), which absolutely piqued extra curiosity within the singer’s music.

Lyndsey Havens: The immediacy of this album’s arrival. (Not to say, her ruthlessly devoted followers — you recognize, those who opted to boycott “7 Rings” in order that “Break Up With Your Boyfriend, I’m Bored” had a shot at hitting No. 1). But what's so fascinating about Ariana proper now’s her skill to maintain her momentum going; in a means, she’s “thank u, nexting” the pivotal moments in her life and profession as shortly as they arrive — with love, in fact. In return, what we’ve is a case of extra is extra — Ariana has actually gone by means of hell and again prior to now 12 months, give or take, and he or she is pouring all of it into her music. Because of that, she’s turn out to be the authoritative, go-to supply on herself.

Jason Lipshutz: It's partially on account of fortuitous timing: "7 Rings" is a smash, the title observe remains to be going sturdy, and the album's streaming complete was all the time going to profit from its two concurrent hits. But Ariana's different track within the high three of the Hot 100 — "Break Up With Your Girlfriend, I'm Bored," which begins at No. 2 this week — factors to the actual motive behind the large quantity: General curiosity in Ariana Grande and her music has by no means been increased. The pop celebrity has all the time been expert at enjoying the social media recreation and making canny advertising strikes (see the record-breaking "Thank U, Next" video), however the candor with which she explores her private tragedies triumphs in her present music has engaged new listeners whereas nonetheless resonating with longtime believers. Even if the tunes have been lackluster, Ariana's narrative and no-damns-given angle could be sufficient to persuade informal followers to press play… and fortuitously, the brand new songs additionally occur to rule.

Andrew Unterberger: It actually is all about momentum. While Ariana's profession has adopted alongside the upwards trajectory it's began on since her return with "No Tears Left to Cry" a brief ten months in the past, she's barely paused to take a breath — and between two albums, 5 high ten hit singles, a handful of iconic music movies and reside performances, and loads of chart historical past, neither have we. She's using the recent hand like few artists in current pop reminiscence, and so long as her songs hold connecting as they’ve been, there's no motive for anybody to cease her from operating up the rating as a lot as potential. 

Question 2: What must be the fourth official single from Thank U, Next?

Nolan Feeney: “Ghostin” strikes me as too unhappy and peculiar to be single, and “Bloodline” has an excessive amount of in widespread with the lurching rhythms of “Side to Side” and “God Is a Woman” to be a ble possibility, so I’m going with “Fake Smile.” Built round a sample of Wendy Rene’s 1964 song “After Laughter” — a carry first popularized by the Wu-Tang Clan a quarter-century earlier — the Justin Tranter co-write affords a refreshing heat among the many sparse, chillier tracks which might be dominating streaming playlists proper now. Its lyrics, in regards to the emotional toll of being caught within the headlines and the methods society polices expressions of ache and disappointment, will most likely each stoke tabloid intrigue and (hopefully) encourage gawkers to present the woman a break. The observe additionally appears like a becoming book-end to “No Tears Left to Cry,” and a hard-earned reminder that even sheer optimistic willpower can’t all the time overcome the curveballs life throws, and that’s all proper in its personal means.

Bianca Gracie: “Bloodline” positively has “fourth single” written throughout it — and I’m not simply saying that as a result of it’s my favourite track on the album! The temperatures are about to rise, and the cheeky dancehall-inspired manufacturing (shout-out to the legendary Max Martin) offers the proper backdrop for the upcoming sunny climate. I can already see the flirtatious hook “Don't need you in my bloodline / Just wanna have an excellent time” flooding the Instagram captions of girls at present fed up with dedication. Add musical BFF Nicki Minaj to the remix (and even Jamaica’s personal Shenseea for further authenticity) and Grande would undoubtedly rule the spring/summer season season.

Lyndsey Havens: I severely might see any of the remaining songs changing into the fourth official single, as a result of to Ariana, what’s even customary anymore? Personally, although, I feel “Bad Idea” may very well be the fourth single. It has the driving, rap-rock backbeat and drill-like manufacturing that softer standouts like “Imagine” or “Ghostin,” lovely as they’re, lack. Lyrically as properly, it’s on par with the general theme of this album — Ariana doing Ariana, for higher or worse. The honesty within the line “You ought to know I'm non permanent” cuts like a knife, and would probably reduce by means of radio airwaves simply as properly.

Jason Lipshutz: Give me "Bloodline" horns blaring on each Top 40 radio station ASAP; let that message of getting an excellent time with out overthinking issues ring out because the snow thaws and we gear up for seaside season. Maybe we get one thing weightier like "Ghostin'" or "Fake Smile" as a single when this album marketing campaign barrels into fall, however "Bloodline" has an out of doors shot of being this summer season's "I Like It."

Andrew Unterberger: Sign me up for that spiky guitar hook to "Bad Idea" piercing pop radio all summer season — the worthy FM successor to five Seconds of Summer's "Youngblood," however much more Ghost in the Machine-ish. Combined with a two-stepping electro-pop beat and backing vocal echoes that sound like Ariana nonetheless caught in Bring It On mode? May sound like a foul thought in principle, however something however in follow. 

Question three: What present pop artist is up subsequent for an enormous breakthrough week like this? 

Nolan Feeney: Given the best way a one-off single not related to any specific album — and one with its personal share of celebrity-relationship rubbernecking — has turn out to be the largest hit of her profession, I wouldn’t be shocked to see Halsey take pleasure in this type of success with no matter mission follows “Without Me.” She definitely has expertise holding consecutive spots atop a Billboard chart.

Bianca Gracie: I actually suppose it may be Halsey. She’s loved regular chart success for the reason that launch of 2015’s Badlands, and bought a style of what dominating the Hot 100 appears like along with her ubiquitous “Closer” collaboration with The Chainsmokers. But the singer kicked off 2019 in a serious means: by lastly reaching her first No. 1 as a lead artist because of her aching smash “Without Me." This might very properly result in a sooner stream of chart-ruling singles for Halsey within the close to future.

Lyndsey Havens: I can envision Billie Eilish having an enormous breakthrough week, although possibly not fairly like this: There’s a motive Ariana was the primary artist to match a feat solely The Beatles have conquered. But Eilish alreay broke one billion streams final 12 months, and nonetheless with out a correct album. She’s had seven Hot 100 hits in below a calendar 12 months, with "Bury a Friend," the lead single off her upcoming debut, lately hitting No. 14. Considering the regular trajectory she’s had, a leap for Billie ffrom rising star to celebrity within the very close to future appears a definite chance.

Jason Lipshutz: The good cash's on Camila Cabello: a supremely proficient pop artist with a seemingly endless provide of charisma, a devoted fan base and new music within the works. Camila has already notched a handful of hit singles, and if her songwriting opens up on her subsequent album whereas sustaining her radio attraction, the sky's the restrict.

Andrew Unterberger: Since the start of 2017, Khalid has virtually served as a celebrity hiding in plain sight, scoring main hits alongside wide-ranging artists like Logic, Normani, Halsey and Marshmello — slowly making his sweetly strained croon voice one of many actually unavoidable sounds of late-'10s pop, at the same time as he stays a barely mysterious solo presence. That final half might change as quickly as his subsequent album, which he recently revealed on Twitter to be coming in April, and whose rumored lead single "Talk" debuts on the Hot 100 amidst the Ariana flurry this week at No. 44. 

Question four: Is Thank U, Next Ariana Grande's greatest album?

Nolan Feeney: It’s a minimum of higher than Sweetener — and I do know I’m within the minority at Billboard for not being completely in love with Pharrell’s circa-2008 beats. (Seriously, half of these tracks might have been proper at dwelling on Madonna’s Hard Candy!) And whereas I miss among the range of an album like Dangerous Woman — an album that jumped from dance-pop to soul to disco to hip-hop and R&B and again once more with out ever feeling prefer it didn’t all spring from the identical temper board — I do hope Thank U, Next’s tight focus is a extra profitable strategy than an album that tries to be (my) all the things.

Still, what units Thank U, Next forward of the pack is the that it did the factor all nice albums lengthy to do: It had Something to Say&commerce;. We can quibble over beats and tracklist lengths, however years from, now we’ll bear in mind this document for the best way it made us really feel like we logged proper into Grande’s iMessage account as she grappled with huge questions on love, life and loss with enble grace.

Bianca Gracie: It’s nonetheless too early to name Thank U, Next her greatest thus far, as we’ve to attend for the novelty to put on off to see if these songs actually stick. For me, I'm unsure something can high 2016’s Dangerous Woman anyway, however Thank U, Next is definitely her most consistent-sounding album, and hones in on her newly embraced vulnerability — generally extra successfully than Sweetner. And whereas she’s lately been panned for it, that is the album the place her love for R&B actually shines. If something, Thank U, Next is Grande’s model of Justin Bieber’s Journals — a mirrored image of a long-praised pop star desirous to shatter their pristine mildew and enterprise into new sonic waters.

Lyndsey Havens: Statistically talking, Thank U, Next could also be the mightier of the 2, however Sweetener as a complete stands taller to me — regardless that I’m without end grateful to have a hauntingly emotive track like “ghostin” in my life. What’s most fascinating, although, is that Thank U, Next couldn’t exist with out Sweetener: More so than every other pair of consecutive (however individually launched) albums in current reminiscence, TUN adopted its predecessor out of necessity, as if Ariana wanted each to carry every hand as she will get by means of among the most attempting moments of her young-adult life.

Jason Lipshutz: Time for a cop-out reply: possibly! Thank U, Next is definitely Ariana's most emotionally charged and cohesive, however I'm nonetheless catching my breath from final 12 months's Sweetener, essentially the most beguiling and well-rounded pop mission of 2018. To me it's a matter of private desire, and possibly even temper: the devastation on the heart of Thank U, Next lands with a stunning pressure, whereas Sweetener's 15 tracks arrive like a flurry of presents to unwrap, some imperfect however virtually all luxurious. Thank U, Next might very properly be considered as Ariana's crowning achievement when all is alleged and performed, however the lighter moments of the six-months-older Sweetener are nonetheless tough for me to miss. I suppose some days I really feel like listening to "Pete Davidson," and others I really feel like listening to Ariana post-Pete Davidson. 

Andrew Unterberger: Absolutely. As spectacular as Grande's chart-related achievements for Thank U, Next are, to me they're nonetheless overshadowed by what successful the album is artistically: a cohesive 12-song set populated by each plain singles and wrenching deep cuts, with lyrical and sonic intimacy past uncommon at this stage of pop, and even a lightweight overarching beginning-to-end lyrical narrative if you wish to learn it as such. It's the album her complete profession has been main as much as, and the pop album to beat for 2019. 

Question 5: Where do you suppose Ariana Grande at present ranks among the many biggest pop stars of the '10s?

Nolan Feeney: Certainly behind Adele, whose mind-boggling album gross sales are so phenomenal it’s arduous to rank anybody above her — regardless that I most likely haven’t listened to half the songs on 25 because it got here out. And whereas dropping two albums within the span of six months is deeply spectacular, Grande’s prolific output thus far doesn’t really feel like such a revolutionary transfer that her identify has turn out to be its personal verb in the best way “pulling a Beyoncé” (releasing a shock album) or “pulling a Taylor Swift” (efficiently crossing over from nation to pop) have. Those two artists additionally play stadiums, which appears like its personal standing marker, although with two No. 1 singles and a No. 2 single that would very properly be a part of them, Thank U, Next appears to be closing in on the type of run 1989 had.

Lady Gaga performs stadiums, however her imperial part got here on the tail finish of the earlier decade, and her 2010s output has taken some bizarre turns in comparison with Grande’s extra regular rise, so I’d say Grande beats her out with this document. And then there’s Rihanna, whom Grande is roughly on par with relating to chart begins within the 2010s — however Rihanna has sustained that over an extended time frame this decade, which I feel is more durable to do and subsequently offers her the sting. All of which is to say, in line with this not-so-scientific standards, Grande might be decrease finish of high 5 biggest pop stars of the ‘10s? But I’m additionally defining pop star reasonably narrowly right here, and I’m certain considered one of you is studying this questioning, “What about Drake?"

Bianca Gracie: So we should always all make it clear that Rihanna and Beyoncé are untouchable queens of pop and are in a league of their very own! But I’d say that after Lady Gaga and Taylor Swift — regardless that they might have fumbled the bag with Joanne and Reputation, respectively — Ariana rounds out the last decade's high 5. Her rising reference to followers, the success of the Dangerous Woman Tour (which proved she will additionally dominate on the street), creating her personal identification inside the popular culture sphere and her ever-rising presence on the charts locations her above counterparts like Katy Perry, Selena Gomez, Demi Lovato, Dua Lipa and Halsey.

Lyndsey Havens: In my year-end write-up about Sweetener, Billboard’s No. 1 decide for album of the 12 months, I made a joke about how though Ariana’s life has been turned the other way up, she’s all the time been on high. That has solely turn out to be extra true. Without a doubt, Ariana ranks on the high of her class of ‘10s pop stars, not solely as a result of she’s resuscitating the style (cue “breathin’”) but additionally as a result of she’s igniting its revival.

Jason Lipshutz: As we close to the top of the last decade, Ariana Grande has positioned herself as one of many pop artists that we’ve to say when summarizing the 2010s. Her present business run consists of numbers which might be actually unparalleled, and solely a handful of musicians — Beyonce, Taylor, Drake, Adele, Rihanna, Gaga, Kanye — have had an even bigger cultural impression than Ariana this decade. Has she checked each single field that an era-defining artist sometimes fills? Not but, however that doesn't imply a Super Bowl efficiency or Grammys coup aren't awaiting. What the success of Thank U, Next accomplishes is exhibit that Ariana is greater than only a family identify at this level, however an indispensable voice in trendy fashionable music that may enter the subsequent decade on the high of the sport.

Andrew Unterberger: After Thank U Next, I feel she's jumped into the last decade's high 5, and doubtless simply behind Beyoncé, Rihanna, Taylor Swift and Drake. There's an argument to be made between her and a pair different stars who began the '10s stronger, like Adele or Justin Bieber, however there's no actual argument towards her being the pace-setter for all fashionable music at decade's finish.